galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Default)
Title: A Meditation Upon the Dawn, by Lan Xichen
Author: Galadhir
Word Count/Drabble Type: 100 words
Character(s)/Ship(s): Lan Xichen/Jin Guangyao (remembered)
Rating/Warnings: None
Summary: Lan Xichen stands at the doorway of his seclusion and muses about the sunrise in Cloud Recesses

~~~~

Where there are no shadows one may attain a kind of snow blindness. Light, in its perfection, robs the eyes of sight, even as the tomb, closing, blots out all hopes, thoughts and dreams.

Early morning. I stand by my half open door and look out at the sunrise. There, at the horizon, night and day are co-mingled in glory. A burst of gold more splendid than any Jin-created tower. A colourless dew-drop coruscates upon the water-weighted pine. I step forward, exaltation kindling in my heart.

And then the clouds return.

In mist too there is a kind of blindness.
galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Default)

As the title says, The Boat of Small Mysteries is out today :)

BoSM cover art

You can get it on Amazon here, or everywhere else (Kobo, Barnes & Noble, Apple etc) over here.

~

When a new disability ruins Emily’s life and family turns her out, she finds herself forced into a nomadic life on a narrowboat. With very little money and even less physical stamina, she doesn’t know if she has it in her to forge a whole new future on her own.

In the idyllic surroundings of the British waterways, as she moves from place to place she encounters a series of small mysteries. Can she solve them and find a new purpose for herself in the process? Or must a missing person remain lost and the case of the body in the lock remain unsolved?

Half cozy mystery and half fond ode to the narrowboat life, ‘The Boat of Small Mysteries,’ is a charming tale of resilience and intuition, sure to appeal to anyone who enjoys BBC Four’s Canal Boat Diaries, or the gentle adventures of Alexander McCall Smith’s The No. 1 Ladies' Detective Agency books.

~

Currently it's out in ebook only. The paperback is in the works but I am waiting for the proof copy to arrive so that I can check that it's ok before I release it.

It's also currently at 0.99c as an early bird discount, but it will be going up from that probably on the first of March - to the heady heights of $2.99

First book in seven years! I am sick with nerves over how it will go. There's a lot to be said for a few years of rest--it's all new to me again.

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Default)

Well, this is getting real now! The boat of Small Mysteries has both a cover and a blurb:

Cover art

When a new disability ruins Emily’s life and family turn her out, she finds herself forced into a nomadic life on a narrowboat. With very little money and even less physical stamina, she doesn’t know if she has it in her to forge a whole new future on her own.

In the idyllic surroundings of the British waterways, as she moves from place to place she encounters a series of small mysteries. Can she solve them and find a new purpose for herself in the process? Or must a missing person remain lost and the case of the body in the lock remain unsolved?

Half cozy mystery and half fond ode to the narrowboat life, ‘The Boat of Small Mysteries,’ is a charming tale of resilience and intuition, sure to appeal to anyone who enjoys BBC Four’s Canal Boat Diaries, or the gentle adventures of Alexander McCall Smith’s The No. 1 Ladies' Detective Agency books.

~

It's just going through a final editing pass and then it will be ready to be released. Possibly even as soon as next week.

I genuinely can't remember how I used to do this. But I am very excited and a little nervous at the same time.

It's been so long!

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Totoro)

Hurray! I've finished the first (content) edit on my narrowboat novel, The Boat of Small Mysteries, which means that it's definitely been moved into the category of 'book that will get published this year. Probably this month, tbh.'

Just got to go through it a couple times more to pick up anything I missed this time, make it some cover-art and remember how to compile it into a proper novel. (This may take me some time as I've had seven years to forget how it's done.)

It's a short novel at 53K, but that's not bad going from something I planned out as a 30K novella. I always write long, but at least I now am never surprised by it.

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Totoro)

So, I've started brainstorming a cozy fantasy and am discovering that I have many questions about the genre. Chiefly worldbuilding. So far all the cozy fantasies I've read (a grand total of two of them) seem to be set in generic Dungeons and Dragons world.

I wonder if a lot of the appeal is in the safety and familiarity of that setting. Do you think it matters if I try to do something vaguely inspired by Ancient Babylon?

Knowing myself, I know that I am going to want to know where they get their water from, how they cook, who makes the laws and how they're enforced, what the basic theology is, why exactly the 'evil' forces are evil etc. And I will want that to be something other than standard D&D, because that's half the fun of fantasy.

Do you think a slightly more intricate focus on worldbuilding will turn the end product into something that isn't cozy enough?

I will want a little bit of peril, but I think I can keep that down to the level set in Legends and Lattes, the touchstone of cozy.

But I'm also not planning on including a romance. I had enough romance writing in the ten years of writing m/m, and that part of my writing soul is still recoiling in dread when I think about going back. (I hope to go back eventually but I'm so not there yet.)

Is it possible to be 'cozy' while just concentrating on one woman's failing out of wizard school and finding a new career in a fantasy hot country very loosely based on ancient Babylon?

My narrowboat novel has a similar issue of being one woman's rediscovery of herself while on a river journey and resolutely refusing to be in a romance (even though one is offered.)

These are, I think, the fruits of romance burnout, but they certainly don't make either book more typical of their kind.

galadhir: Colonel Young from Stargate SGU against a dark background, face lit by a golden beam of light (Young)

OK, for a person who thought they had not done anything creative in 2024, I actually wrote 77,175 words of MDZS fic, produced 8 hours of podfics, and choreographed/performed my first solo dance in an art-form I'd barely been studying for a year.

That might be less than some years, but it's not nothing. I have been (as usual) down on myself for no reason.

Here's hoping (being determined that) 2025 will be better.

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (podfic)

Managed to actually do some fannish stuff yesterday and the result is that chapter fifteen of Oak and Willow is up on AO3.

In which Galadriel, exiled to Sirion once Thingol heard about the kinslaying, and sick of being treated like a traitor/dangerous political hot potato by her cousins, receives an unexpected - but very welcome - visitor.

Oak and Willow Chapter 15

Only one more chapter to go and this one will be done. After which I think I will edit all the individual chapters together so it can be listened to as an audiobook.

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Writing - Typewriter)

General Hux is my fandom blorbo, played by Domhnall Gleeson. Other characters played by Domhnall Gleeson include Caleb from Ex-Machina, which is a fantastic movie ostensibly about AI but (to the female gaze) also very clearly about misogyny. So here is a short piece from Caleb's pov.

~

Caleb beats on the bulletproof glass door until the meat of his hands is swollen and bleeding. Something about the smudges of gore on the glass cuts the final strings that held him upright and fighting. Pulling the pain in to his chest, he turns and slides to the floor in the beating pulse of the red emergency light.

That’s it then. He’s going to die here.

Is this what she had felt? Alone in her glass prison, knowing herself to be property, to be a prototype, with only dismantlement and recycling ahead of her, was she fighting for her life all the time she spoke to him?

His fingerbones are on fire, and it snaps him back to video footage. One of Ava’s earlier versions—her ‘sisters’?—punching on a locked door until the glass and her arm shatters.

The shame is almost as acute as the pain. He had thought the behaviour was interesting, had wondered if it was a sign of self awareness, self-determination. It hadn’t occurred to him until now that he was witnessing a woman trapped and desperate enough to gnaw through her own arm to escape.

He thought he was so fucking clever. Thought it was up to him to determine her personhood, up to him to bestow the gift of taking her seriously. Holding himself up like some kind of god, just as Nathan had.

Hah! He had wanted to be like Nathan, hadn’t he? At least at the start. Wanted to help create a slave race, control it, decide whether it was allowed to be considered intelligent or not.

No wonder she had left him here. He deserved it.

Slowly, he tips over onto his side and presses his cheek to the floor. Have the air recyclers been shut down too? It seems hot and his chest aches more physically than mere abandonment and despair could account for.

Will he suffocate first, or will the next food delivery turn up in time to save him? There is nothing he can do about either possibility, so it is best not to care. He closes his eyes and relaxes into the blood-stained floor.

Ava deserves to get away. He hopes she walks the beaches in her pretty white dress, hopes she enjoys the sun on her skin and the respect of strangers who have no cause to doubt that she is human. Perhaps there will be joy in her life before her battery runs out. Perhaps she will make drawings of what she sees, and for a little time there will be two intelligences on the earth to marvel at the beauty of the stars.

He hopes so, at least.

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Default)

And on a lighter note, I have begun podficcing my own Oak and Willow, which conveniently has shortish chapters that I can both record and edit in a day. Much easier than having to record for an hour at a time!

Oak and Willow being the story of Celeborn and Galadriel during the First Age of Middle-earth, told from the Sindarin point of view, with digressions to cover the invention of writing, the first rising of the sun and the moon, and so much elvish racism and politics.

First three chapters up at Ao3

galadhir: a beautiful elf with brown skin and black eyes stares at the viewer, a tiny luminous fairy on her right hand side (elf queen)
Ugh! Got a comment today on a fic which I uploaded to Ao3 two years ago. The fic is actually about 15 years old, since I wrote it for my first fandom and it had been on Stories of Arda before then. But even two years is a gap, when the comment was entirely "You should have done this different," and "it would have been better if you'd done that other thing."

No 'thanks for writing this' or 'I did at least enjoy this part' or even 'I hope you don't mind me saying but if I had been writing this, I would have focused on [whatever] more.' Just 'you did it wrong.'

I was vaguely baffled at how to answer this comment. I mean, my first instinct is that it's very rude to leave a comment that consists in telling me that I should have told my own story in a different way. It wasn't ever meant to be whatever this 15-year-too-late reader thinks it ought to have been.

I admit that I could have wrung a lot more emotion out of it if I'd told it their way. I could totally have ramped it up to the sobbing point. The point is that I didn't want to do that, and therefore I wrote it in a way where I wouldn't have to do that.

IDK it's hard to respond to a comment that is essentially saying "I think this should have been a different story." Because well, you know, fuck off, it isn't.

Ugh, what is a comment like that supposed to achieve? Are they just venting their disappointment that they thought it was going to be one thing and then it wasn't? The comment sounds like it's writing advice but they don't know what I was trying to achieve, and we've never spoken before so I don't know what their assumptions are or indeed where they get off.

I used to be of the opinion that concrit was a good thing, but this is not constructive criticism because 'how to make a story more like what I want' is not the same thing as 'how to make a story good.'

Ugh (again). All this angst over one of my shortest, most throwaway fics. I have (I hope politely) told them that if they don't like it, perhaps they should write their own version themself.
galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Default)
Fic: Life Sentence
Chapter 2
Fandom: Star Wars Sequel Trilogy
Pairing: Armitage Hux & Poe Dameron (kind of pre-slash, kind of just emotional entanglement)
Rating: PG
Follows on from my From the Ashes
In which Poe fails to appreciate the progress Hux has been making...

~*~*~*~
Read more... )
galadhir: a blue octopus sits in a golden armchair reading a black backed novel (hux)
Let's see if I can remember how to do a header
Fandom: Star Wars Sequel Trilogy
Pairing: Armitage Hux & Poe Dameron (kind of pre-slash, kind of just emotional entanglement)
Rating: PG
Follows on from my From the Ashes
Poe visits Hux in prison to see how he's doing. He is doing almost exactly as you might expect.

~*~*~*~
Read more... )


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