galadhir: The gateroom of the starship Destiny from SGU (Destiny's gate)

I've found a lady who has the same sort of shape as me, who dances the same kind of dance that I would love to dance. She has such precision and confidence-verging-on-arrogance and strength and lyricism and sweetness. I don't know that I can get my creaky old, arthritic person to do some of the things she does (that back bend!) but I love her sense of theatre. I love how she has combined bellydance with inspiration from sci-fi and theatre to make something that is very unique.

Much though I like dancing, I haven't been able to find any genuine love in my heart for the whole 'scantily clad get in touch with your inner goddess who is also a sexy flirt' malarky, chiefly because I don't think I have an inner goddess of any kind, let alone a sexy one. But as a writer I 100% have an inner Evil Galactic Emperor, or an inner hero or villain character of a sort that I can lean into.

So I the new dance I am now wrestling with is inspired by the plot in Stargate Universe in which Chloe - experimented on by aquatic aliens - fears she is losing her humanity, even while she grows stronger and more intelligent.

My question was, why the heck wouldn't you embrace that? Super strength? The ability to do maths? Sign me up.

I've just got to find a way of expressing this in dance.

galadhir: Text 'I'm fine with it' in white curly letters against a blue background (I'm fine with this)

So what do we think of the Murderbot trailer over here?

I'm absolutely pumped. I can feel myself going into hyperfixation mode as we speak. I've always liked the books, but I seem to need visual media in order to really engage, and I'm engagaged.

Alexander Skarsgard is not what I'd expected MB to look like (or sound like) but as someone pointed out, he is very much what an evil megacorporation would think a 'standard' but threatening human would look like, so I can get behind it.

People have said that he is 'too gender' or 'too masculine' for the agender MB, but being agender has nothing to do with what you look like. I am agender and I look feminine. It's an inside thing not an outside thing.

If you see the short of MB being repaired, you will see that it has no nipples. I think that's a great detail. It also has no bulge - and really props to Skarsgard for not letting that worry him. I really appreciate both of these things.

Ratthi is just delightful (and very handsome, as is only right.)

Sanctuary Moon is just delightful too. I think I'll like it as much as Wormhole Xtreme.

Argh. I'm so excited rn. I can't wait!

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Default)

When I said 'lesson learned - pick a more varied tune next time', I was lying.

This time I picked a less varied tune that doesn't even have a chorus.

galadhir: a turquoise narrowboat with a long purple eel on the side sails toward the viewer (Drake Front)

Did my dance at the Cambridge School of Bellydance hafla. I belong to the Cambridge School of Bellydance (Louise's group) as well as the group run by Elizabeth in Ely and they hadn't seen it before. So I thought I could trot it out again.

This time I put together an actually decent costume, which I liked to wear and I liked myself when I looked at myself in it - a rare thing!

This was home-sewn, extremely wide leg harem trousers in black cotton, a raspberry pink sleeveless tank top, dangly strips of pink and yellow fabric around the legs, a yellow coin belt and a pink belt on top of that with long fringes of beads that moved nicely with movement.

I also made some sparkly pink sequined arm-bands to wear instead of sleeves.

I put this outfit on, looked at myself in the mirror, went 'oh yes, I like that!' and then took it off and put it in the bag to be taken to the hafla.

Big mistake!! Learning moment!

In future, do the dance in the outfit at least once before you try to perform it in public.

The cuffs of the trousers were not tight enough around the ankles. Over the course of the dance, they worked their way down over my heel and under my feet. I attempted to make pulling my trousers up part of the dance, but it really didn't work and eventually I had to accept that I was dancing on my trousers rather than completely in them.

I was so distracted by this that I hit the sword balanced on my head, causing it to nearly fall off. So I had to adjust it mid dance.

I was so distracted by this that I lost my place in the dance entirely and had to improvise for a section until I came back to a part of the music I recognized.

I then finished the dance aware that my arm bands were slipping down, but deciding it was better to just let them, and drop them onto the floor when I got a chance.

In short, I thought it was a complete disaster.

Surprisingly it did get one of the biggest rounds of applause of the evening. And throughout the evening people stopped by at my table to say how much they'd liked it and how difficult it must be to balance the sword on your head. Really that's the least difficult part. But I was somewhat soothed by all of this. To the point where I decided that it might be a good idea to try to write a new dance for Shimmyfest in June.

Even if I don't get it done to performance standard by then, it will do for next year.

So that was Saturday. On Sunday we went up to Derbyshire because Son's contract was up on the 1st of April and he needed to be out of the marina by then. So Sunday was moving Boat up the river Trent, onto the Trent & Mersey canal, to start the long journey back down again. Two hours away in the car, about two months journey away on the canals. Two weeks according to Canal Planner but they are very optimistic

galadhir: Colonel Young from Stargate SGU against a dark background, face lit by a golden beam of light (Young)

OK, for a person who thought they had not done anything creative in 2024, I actually wrote 77,175 words of MDZS fic, produced 8 hours of podfics, and choreographed/performed my first solo dance in an art-form I'd barely been studying for a year.

That might be less than some years, but it's not nothing. I have been (as usual) down on myself for no reason.

Here's hoping (being determined that) 2025 will be better.

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Hygge Feet)

Re-potted my fig tree in a bigger pot. It was of course sleeping, so it won't notice that I've torn some of its roots to make sure it is no longer root-bound. Now it can wake up in the spring feeling a bit freer and maybe have figs on it again for several years to come.

The next size of pots is over £100, so hopefully it will be several years before it needs to move up again.

The fig tree is going to have a better year in 2025 than it did in 2024. I hope we all do too!

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (must resist urge to squee)

A lifelong ambition achieved! One of my Christmas presents was dinosaur dungarees for adults:

galadhir: a lovely tribal dancer in dark green choli and a red moroccan style belt with orange and yellow pom poms (tribal belly dancer)

Well, we prepared for having our son and daughter home for Christmas, and both of them are ill, so we are having the first Christmas alone together that we have ever had since we got married.

When we were newly married we always went to my parents one year and DH's the next. Then we had Daughter, then Son, which meant that even if we weren't still going to one or other set of parents, we always had children at home.

Then Daughter paired up and we had alternate years when she went to her PILs, but Son stayed at home. Even when Son got his boat, it was nice for him to come home over Christmas if only for the warmth and hot showers.

But this year they're both ill and staying at home. So we're on our own for the first time in 35 years.

It's weird. I think I would enjoy it more if I had been prepared, and I'd made a list of things to do. But as a vegetarian with IBS I can't even fall back on the mainstay of cooking and eating things together.

Oh well, it's not too late to make a list of things we can do, and I may take lactase and mebeverine and risk some of the treats anyway. I'm still very blessed to have DH to spend the time with.

Merry Christmas everyone!

And if you're curious as to how the sword dance turned out, here it is with me dressed as the Ghost of Christmas Present at the hafla

galadhir: (sword dance)

Finally danced my dance, and indeed I danced it three times - first in front of my other belly dance class, as a 'lets watch M do her dance while we take a water break,' thing. In which Louise gave me the idea to turn to the side so the mermaid arms on the camels could be seen better, and the whole class went 'oooh' when I did the deep dip with the sword on my head.

That was done in exercise gear. It felt okay despite the fact that I did lose my place at one point and find myself coming back to myself, thinking 'where am I? What am I supposed to be doing here?' Nobody seemed to notice, so it was fine.

Then I did it in full memento mori skirt get up in front of Elizabeth's beginners class. I don't think I forgot anything there, but I don't think there was a lot of enjoyment or engaging with the audience. I was too busy trying to remember how it went.

Then I did it again in front of a paying audience at the Buckleton Christmas hafla. This had a Christmas theme, so I wore a red 24 yard skirt, a green top, green and gold coin belt and a tinsel crown (was told I looked like the Ghost of Christmas Present, which I think is a complement.) This time it felt really good, and I was able to remember to make eye contact with members of the audience and smile.

Later my teacher who was also there emailed me to say it was a good performance, so I think that one went well.

I came away feeling buoyed up, and am still feeling oddly more solid for it, even a week later. I definitely enjoy going to a hafla and performing for one. Time to start on a new, better choreography for Shimmyfest next year.

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (cornucopia)

Squirrels eating all the medlars off our tree. That one wasn't even bletted, you savage!

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Frost)

It's Daughter's wedding next year (2025 - made up sci-fi year.) And she's decided to have a 'high fae' theme for the do.

Specifically, she said 'you know the party that was going on in Mirkwood, that the dwarves kept trying to barge into? The one where they would hear the distant music and smell the delicious smell of the food, and see the fires, and yet when they would run toward it, it would disappear entirely and leave them lost in the darkness under the trees? Yeah? I want this to be that party.'

Which I think is awesome and I understand completely. I also would have loved to go to that party - and now it seems I shall!

Daughter and Fiance have been crafting table settings and invitations and many other things, and she put a picture of one of the table centerpieces up on her instagram. It featured moss and stones and sparkly lights and skulls, and I think looked really cool. But Parents-in-law claimed the skulls were morbid. Despite initially going 'it's your wedding, you must have what you want,' they are now going, 'but not like that.'

This made me determined to lean into the skull theme. (It's an ancient magical forest, how could it not have skulls?)

DH has made his own 18th Century style coat (in black, with large blue cuffs) and leather top hat, but I had not made anything for it, having already bought a very floaty dress and a lovely faerie coat.

So I was feeling bad about my level of effort, and decided to make myself something to wear on my head, instead of the traditional 'mother of the bride' hat.

And it had to have skulls.

/>

And - in explanation for the title of this post and the plaster I have around my thumb in the photo, I did drip hot glue on myself and when I took it off again a section of skin on my thumb came with it. The answer to the question in the title, it turns out, is 'too hot.'

galadhir: Sutton Masque border morris side dancing, they wear top hats with feathers, green man t-shirs and flowing tattered green jackets (morris - Sutton Masque)

After the longest time ever (university summer holidays) it's term time and the Cambridge belly dancing sessions are back on. It's so nice to be back to dancing again. I always feel like I'm not breathing when I'm not dancing, and I was definitely getting to the point where I was aching to draw a breath again.

So last night I did dance until my back hurt and my knee also hurt. Today, despite the new pain-killers, my knee and pelvis still hurt. And of course I'm absolutely shattered and drained.

However I am not getting all the random stabby pains I would normally have from the fibromyalgia, so that is a definite improvement from the Pregabalin.

(I don't think I've mentioned the Pregabalin before here. I finally went to the doctor after being so exhausted I feared for my life, and he drew some blood, figured out I had a folate deficiency - so my red blood cells had ballooned to the point where they weren't really carrying oxygen any more, and also listened to me about the permanent fibro pain.

He then gave me three months of folate tablets and Pregabalin for the pain. It also makes me sleep like I've never slept before.

The folate tablets are working a miracle and I can feel myself slowly coming back to life. I've even done a little bit of gardening!)

This weekend we're off on a morris weekend in the campervan Tenterton folk festival. This will be the first time I've been to a festival since developing IBS, so it will be a serious achievement if it goes okay.

It's also the first time I've taken the mobility scooter to a morris festival in the van.

Last weekend I went to Peterborough Day of Dance in the mobility scooter - first time I'd introduced the morris folk to the idea of the scooter. It was such a relief! I actually enjoyed the day instead of finding it one long painful grinding slog from beginning to end.

So this weekend we're taking the scooter in the camper-van to do a two day festival. I'm going to try to be the Green Man for the side, and we'll see how that goes in a scooter. I'm nervous, but we'll see how it goes.

galadhir: a turquoise narrowboat with a long purple eel on the side sails toward the viewer (Drake Front)

Well, we had a lovely holiday last week, going out on Son's boat. The weather was sunny and cool - ideal really, except for the wind. Canal boats are essentially flat bottomed barges, and have no keel to resist being blown about by the wind. If the wind is above about 25 miles per hour you will find yourself fighting several tons of boat on the end of a thin rope.

Normally that's possible, because, again - flat bottom = easy to move around on the water. But if you're fighting the wind, the wind will win.

So, first day was a case of fighting with all our might to get up the river Trent, to get through the locks and onto the canal. It took us hours and we must have moved about four miles. We were then shattered and decided not to move the next day, but just to have a useful day pottering about doing things.

I had promised Son that I would paint the bows of the boat, which - on narrowboats - usually contain colourful designs of crescent moon, diamonds, sun, maybe a daisy-wheel, that sort of thing. Son had requested manuscript illustrations instead, so I had come armed with the drawings and the paint, and on that first day I managed to do the pink outline and the swan on the Port side (the side I could reach from the bank.)

swan

DH fixed a light in the shower, which had been flickering, and for which he had to trace back the wiring to the skirting board, where it was revealed to have been worn back to bare metal.

After this useful day we walked to a nearby pub and had dinner, and it was all very nice and civilized and exactly what you want of a boating holiday.

The next day we made good time and I think I was steering the boat through the locks - doing the steering because we thought that would be better for my fibro than the heavy work of operating the locks. The responsibility is scary though! What if I can't get into the bank properly and have to leave DH abandoned on the side of the canal? What if I sink Son's boat?

I know I am going to have to get comfortable with this. And also comfortable with steering while sitting on the roof, because it's the only way we'll be able to cope with the physical demands of canal boating in future, but right now I am a bundle of nerves about it.

Anyway, we did eventually manage to get to Mercia Marina, and thought we would tie up to a visitor mooring there. Which was great because they had a grocery shop and restaurants/cafes, and the pontoon they moored us on allowed me access to the Starboard side of the boat.

snail

So I spent another day painting the Starboard side. And then there was a 35 mph wind warning for the next day, so we stayed over and washed down the roof, decks and gunwhales.

Meanwhile DH discovered the location of the suspected oil and coolant leaks in the engine.

This is momentous, because we often come back to the boat to discover the engine bay absolutely awash in oily liquid, which we assumed was water coming in from somewhere - not exactly what you want in a boat. But Son had also noticed that she went through coolant by the gallon, and I had advanced the theory that perhaps the liquid filling up the engine bay was coolant rather than water.

Finding the location of both oil and coolant leaks in the engine will make it much easier to fix them, and perhaps she can have a dry well after that! Fingers crossed.

By which time it was time to start off back. We filled up with diesel and emptied the toilet before we left. Then after an easy day of cruising, when I still managed to fall in a hedge and be dragged across the towpath while DH shouted at me to let go and I refused, we moored at a lovely pub which we were warned away from, but which seemed to me to be perfectly lovely. It was very picturesque with a weeping willow and a garden sweeping down to the canal.

Son had mentioned that it was a bit creepy coming home along the towpath when it was pitch black around him, and he had wanted to put up some solar powered fairy lights to greet him and show him where his boat was. So we put those up, and they did indeed look very cheering.

narrowboat with fairy lights

On the last day we're gently going along the canal, passing moored boats on either side, listening to the distinctive throb of our boat's vintage (read - just very old) engine, when there starts to be a weird echo. Kind of a heart beat with a mirror heart beating in time. It gets closer and then we're sliding past a beautiful boat still in the livery of one of the 19th Century coal carriers.

I raise my hand and wave it excitedly at the guy at the tiller. "Same engine noise! Is it a Russel Newbury?"

"It is!" he beams. "Nothing like them!"

Which was - as Tumblr would call it - a 'same hat' moment, and oddly satisfying. A nice, geeky way to end a very productive week.

galadhir: The fourth Doctor looking boggled. Text says 'What now!' (What now?!)

Well, I didn't expect getting a sword for sword dancing to be so hard.

I really wanted a sword like this A sword that looked like a sword - like you could sharpen it and then it would be a weapon.

Unfortunately the only sword that was in my price range and was available in the UK is aluminium with a paint coating. But I thought I could live with it, and the lightness of aluminium was a bonus considering my fibromyalgia. See the grey sword here.

So I ordered it and waited what felt like months for it to arrive. The receipt said that within 3-4 days I would get an email with a tracking code, but I did not get such an email. I waited for ten days, then I went on the website to see if there was a contact number and found their chat.

Someone on the chat told me that he would find my tracking number and that the sword would undoubtedly be with me soon. I waited a couple of days to see if it would arrive.

Then I checked the tracking code and found that the tracking number was linked to a Mr Ahmed Hussain in an entirely different county from me.

I tried to get back on the chat only to find that the chat box had disappeared.

This was beginning to feel suspicious.

Then I went on holiday with my family, and my son - on hearing the saga so far - dug around in the trustpilot ratings for this website (the only one that still had swords available out of every other sword retailer I had found.) He said that their ratings were abysmal and most people reported either getting broken swords or not receiving anything at all.

He then found a new sword on a site I had not discovered. It was 40" long and made of iron, which would have been very long and heavy, but what was I to do?

Their website said it would arrive in 3-4 days, and by now I was desperate. I figured I could stop the payment on the first sword, so I bought the new sword.

I got home from the holiday and the first sword was there on the doorstep.

grey sword

Two swords! I thought. I suppose I can sell one of them on Ebay. Other belly dancers must also be desperate in the face of this sword shortage.

Then - while I waited for the real sword to arrive - I practiced with my horrible grey sword and developed something of an emotional bond to it.

It is in fact exactly the right size for me, and easy to balance, and relatively light on the head. I liked it, apart from the paint job.

So, more than four days passed. Eventually I began to wonder where the other sword was, and I went to look on the receipt for that too. With a more careful reading, I realized that it said that it would arrive 3-4 days after posting - with no promises about how long it would take them to post it. The receipt also said that they would send me an email to confirm when they sent it.

They had not sent me an email. Therefore they had not even put it in the post yet.

I leapt to my computer and sent them an email asking if I could cancel the order, and they replied the same day, re-listed the sword on their website and refunded me the price.

Good! I finally had a sword, and only one sword.

But the more I practiced with it, the more I came to hate the fact that it was silver like a silver car. There were even metallic sparkles in the paint just like metallic-finish auto paint. And the hilt was the same colour as the blade, as though the blade was part of the hilt fittings.

I wondered if I could paint over the blade with chrome effect paint, but further research suggested that there just isn't a paint that looks like metal. It's all going to be disappointingly matte.

Time to break out the gold leaf

I bought a gilding kit, a book of gold leaf and a book of silver leaf and did a hack job of covering both blade and hilt with thin layers of metal.

Result - behold the shiny sword!

Silver Sword

This will certainly catch the light and flash as I dance. It isn't the sword that I wanted, but it is now a sword that I think I can love. And I bet no one else will have one like this :)

galadhir: Colonel Young from Stargate SGU against a dark background, face lit by a golden beam of light (Young)

Watched 1000 years of yearning last night and absolutely loved the first three quarters of it. It's a djinn story with wonderful costume and settings in which a professor of narrative finds a djinn in a bottle. She is of course narratively aware enough to know that wishing always goes wrong in all the stories, and suspects that the Djinn is a trickster who will ruin her life too.

Meanwhile the Djinn tells her what it's like being a djinn, being constantly imprisoned in a bottle and unable to get humans to set him free by making their third wish.

All of which I very much enjoyed, while I'm waiting for them to come up with a solution that will leave both of them free and happy.

And then instead of that she wishes that he would fall in love with her, and it isn't until he's dying of all the EM radiation in modern human life that she sets him free - and even then she doesn't even complete the three wishes. And the moment she comes up with this 'I wish for a love like that,' wish it's like a bucket of cold water in my face and the movie has 100% lost me in a single move.

  1. because she's gone this whole time as a happily independent woman with no strong desire for romance or companionship, so it doesn't suit her character at all
  2. because (as far as this greyromantic asexual is concerned) there was no build up of romance or attraction between the two of them to this point - it comes right out of left field
  3. because it's an absolute violation of his rights as a sentient person. It's an absolutely fucking awful thing to do to a person - to command them to fall in love with you when they can't say no. Am I supposed to think of this as a love story? After he's already spent several thousand years imprisoned and desperate for someone human to give him his freedom?

Am I supposed to think it's a good thing that she reluctantly lets him go at the end when he's dying? I mean yes, I suppose it's better than letting him die, but honestly.

Anyway... I suppose by this stage I should be aware that the movie industry knows nothing about consent. Or I am missing some nuance of neurotypical understanding that means it's not as bad as I think. But still.

Recommendation - watch the first three quarters of the movie and then come up with your own wish for her to make. We can solve this with fanfiction.

galadhir: Jin Guangyao and Lan Xichen have their heads bent together looking at something out of frame (xiyao)

Got to celebrate them!

So, now that I've put that extra eight bars into the choreography, everything has settled into a much more regular structure, and I have started to be able to hear the different parts of the music and the shifts between them.

Which means that today I managed to dance the whole thing through twice without getting lost. And on one of those occasions the stick nearly fell off my head and I had to grab it and do some improvisation with it before getting it balanced again and joining back in when the next section arrived.

Admittedly this is partly because I simplified one of the choruses, but it's early days and I may be able to de-simplify it now I understand how it all fits together. (As long as I remember all this tomorrow.)

The skirt arrived and needs turning up, but the sewing machine is in the conservatory and I'm not going to sit in a glass room in 29C weather. I'll do that this evening.

So instead I've read and edited another chapter of my podfic of Guanyin's Gift. In which Jin Guangyao gets to do his life all over again from the age of eight. Armed with a lifetime of cultivation and spy skills, and a lifetime's knowledge of the politics of the cultivation world, he gets it much more right this time around.

A Podfic of 'Guanyin's Gift' by Galadhir

You can't build a goddess of mercy a large temple and pay for priests to worship her every day without earning at least some merit. Aka, by divine mercy, Jin Guangyao gets a chance to do his life all over again.

Costume

Jul. 31st, 2024 05:25 pm
galadhir: a lovely tribal dancer in dark green choli and a red moroccan style belt with orange and yellow pom poms (tribal belly dancer)

I have also been reading up on the history of belly dance, and it turns out that traditionally it's a type of dance that was done in the household - not for public performance - and that originally people would just wear their regular clothes, with a scarf tied around the hips so you could see what they were doing.

For our performance we were directed to wear something "appropriate for your style," which is interesting, as I do not know what is appropriate for which style. Nor do I know what style I'm even doing, or how to tell the difference. Googling is no help in this.

So I've decided to go back to the root. 'Baladi' belly dance is essentially the folk dance of large parts of the Middle East, and Baladi itself means 'country' - the dance of my country. And if it was originally done in normal clothes, I figured I would just wear something that I might wear normally.

With this in mind, I was just browsing as you do, when I saw this skirt

skull skirt

and I thought 'oh... that's very memento mori isn't it? Very appropriate for a song about failing to reconnect with old friends because time is slipping away from you both and there's so much else to do.'

So the skirt was a must. And I figured I could put a dark green strappy top under it, and top it with crop top this nice crochet crop top. Which together would make an outfit I would totally wear in real life but I hope will look fancy enough to dance in.

One of the other dancers in my group has given me a hot pink belt with bead dangly bits, and I have a triangular scarf that will match the crop top, so I'll put that combination around my hips, and I think it will be a strong look.

Not quite sure what to do with my hair. I don't want to wear anything that looks like I have help in balancing this sword, but I do want some kind of headband to hold my hair out of my eyes. Some kind of silk flowers on a band?

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Default)

The harder I tried to practice this, counting the beats as I went, the more confused I got. Sometimes it worked, and sometimes I was all "how can we possibly be at this bit already?!" And I had no idea why.

I eventually decided that the times that it worked were probably due to me forgetting the choreography and just going with the music by ear. Which is all very well but I shot myself in the foot by choosing a piece of music where all the changes are very subtle, and sometimes I don't hear them.

Lesson learned - pick a more varied piece of music next time.

So I tried is several more times and eventually it began to dawn on me that there was something fishy going on around the hip drops in the first half. And then, on counting it out as carefully as possible, I realized that I had been right in the beginning when I called the drops 'Figure One', and that they were in fact the first figure, which meant they were an Eight lot of Eights figure, instead of a Four lot of Eights.

So Page One should read:

Each number stands for four beats.

Intro

Starting facing away from audience, sword held above head in both hands

1. Sweep down to the count of 4, while turning 90 degrees to left
2. Sweep up to the count of 4, while turning 90 degrees left
3. (Now facing audience) Sweep down to the count of 3 + turn sword point upright with right hand, wrist circles with left hand (there is a twiddly bit in the music here.)

4. Barrel turn x 1
5. Barrel turn x 2
6. Barrel turn x 3 giving yourself time to transfer sword to left of head. (Another twiddly bit)

7. Head sword circles + hip circles x 1
8. Head sword circles + hip circles x 2
9. Head sword circles + hip circles x 3

10. Shave the dancer, left side
11. taqsim pull up front
12. Flat hip figures of eight + BALANCE SWORD ON HEAD

Figure One

1. Hip drops on right w. armchair arms
2. Hip drops on right w. armchair arms
3. Hip drops on left w. armchair arms
4. Hip drops on left w. armchair arms

5. Drop and kick right w. L arms
6. Drop and kick right w. L arms
7. Drop and kick left w. L arms
8. Drop and kick left w. L arms

I'm going to have to put it into a Word document because I can't inflict the endless revisions on my DW.

There's something weird going on in the second half too, but it was too hot today to concentrate on that. Figuring out one main issue at a time is still progress.

galadhir: a blue octopus sits in a golden armchair reading a black backed novel (Default)

Second Chorus

1. Snake arms - slow, quick,quick,
2. Step - slow, quick,quick w arms,
3. Step - slow, quick,quick w arms,
4. Step - slow, quick,quick w arms,

5. Mermaid arms - Camels while walking backward,
6. Camels while walking backward,
7. Camels while walking backward,
8. Camels while walking backward,

9. Large hip slide starting on the L,
10. Break R,
11. Shoulder shimmy,
12. Shoulder shimmy,

13. Circle right hip,
14. Circle left hip,
15. Lowering into a seat,
16. and arms spread as if to welcome a friend,

Figure Three

1. Circle whole body ninety degrees to the left,
2. Circle whole body ninety degrees to the left,

Now Facing away, Back to the audience

3. Vertical 8,
4. Shimmy,

5. L arms, right arm up - time to spin on the spot - turning,
6. Turning,
7. Turning,
8. Turning,

End turns facing audience again. Grab sword and prepare to launch into some sword swings

Third Chorus to End

1. Two handed sword swing,
2. Two handed sword swing,
3. Two handed sword swing,
4. Two handed sword swing,

5. Sword balanced on hand twirl around head,
6. Sword balanced on hand twirl around head,
7. Sword balanced on hand twirl around head,
8. Sword balanced on hand twirl around head,

9. Travelling to right using large circles while circling the sword in front,
10. Travelling to right using large circles while circling the sword in front,
11. Travelling to left using large circles while circling the sword in front,
12. Travelling to left using large circles while circling the sword in front, return to warm spot

13. Sword on shoulder like morris stick - right hip circles forward,
14. left hip circles forward,
15. Sinking into seat,
16. Left hand reaches out to audience then draws in to cover the heart,

(The friend never actually made it to the reunion, but they are being thought of until the next time.)

The End. Stand and bow. Walk off.

galadhir: a lovely tribal dancer in dark green choli and a red moroccan style belt with orange and yellow pom poms (tribal belly dancer)

Chorus

  • always a travelling movement because we are going to that faraway place to meet our friend for a cup of coffee.

Each number stands for four beats.

1. Travelling with mayas to the right,
2. Chest circles to the right, while walking forward,
3. Travelling with mayas further to the right,
4. Chest circles to the right, while walking forward

5. Travelling with mayas to the left,
6. Chest circles to the left, while walking backward,
7. Travelling with mayas further to the left,
8. Chest circles to the left, while walking further backward

9. Large hip slides starting right,
10. Break left,
11. Shoulder shimmy,
12. Shoulder shimmy

13. Forward hip circle right hip ,
14. Forward hip circle left hip,
15. Large sideways hip circles,
16. Sinking into a seated position while making an inviting gesture to come and sit too

Enter the Qanun!

1. Shimmy, arms begin to sweep up
2. Shimmy, arms continue to sweep up
3. Shimmy, ditto
4. Shimmy, hands together above the head

5. Shimmy with slide, hands begin to come down, swirling around each other
6. Shimmy/slide, ditto
7. Shimmy/slide, ditto
8. Shimmy/slide, ditto

Time to think of a different travelling pattern to do for the chorus this time

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